Julia Stoops

  • The Things in the Sky - 2007
  • The Things in the Sky - 2004
  • Ross Island Sand and Gravel
  • As a Young Man
  • The 2001 Book
  • Sign Paintings
  • Dialogues
  • Here, There
  • The Crossing of Opposites

About

The Crossing of Opposites

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The Crossing of Opposites

"When we cross a vertical with a horizontal...we see that this crossing generates a square surface: a tangible entity comes into existence as a result of crossing. The principle can be transferred symbolically to...the crossing of warp and weft which gives birth to a cloth surface, or the crossing of darkness and light which gives birth to tangible, visible form, or the crossing of matter and spirit which gives birth to life itself. So the crossing is an action principle which the square represents...

"The word Nature means that which is born, and all birth into nature requires the crossing of opposites. So the square came to represent the earth, and as such symbolized the conscious experience of finite existence, of what is born into Nature.”

Robert Lawlor, Sacred Geometry, p. 24

Two of these paintings, Coomaraswamy and Plotinus, were included in the 1997 Oregon Biennial curated by Kathryn Kanjo.

Related publicity:
Can-Do Kanjo,  Willamette Week,  08/27/97  (PDF)

Coomaraswamy
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
Plotinus
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
Pliotinus   (detail)
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
Two Treespheres
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
Lunar Cycle
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
Lunar Cycle   (detail)
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
A Thousand Arms
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
A Thousand Arms   (detail)
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
Bear with Everything
1996;    48" x 48";    Acrylic, ink and oil on paper, mounted on panel
Ten Dreams
1996;    48" x 48";    Acrylic, ink and oil, and hair on paper, mounted on panel
Ten Dreams   (detail)
1996;    48" x 48";    Acrylic, ink, oil, and hair on paper, mounted on panel